To explain, around four years ago Wright as Rayne briefly began once with a different artist and a less developed plot. It didn't work out so well due to lack of planning, but now I'm happy to say we're ready - got twice as many pages already made as we did before and three chapters worth of scripts sitting.
Might as well introduce you to, due to the entire story being planned out well in advance, a habit Wright as Rayne will have that I hope readers enjoy - early appearances by people and events that'll be important later. In this case, just as a one-time hint, keep an eye on the guy in yellow and white (or just look at the cast page, I guess) and the AME letters on the criminal's shirt.
Not a lot to say other than that, but I hope you all enjoy.
You're gonna hear me say that phrase a lot from here on out because the first dozen or so pages (and my artwork in general) is Godawful. Here it's not really glaringly terrible, but very bland. You can tell I didn't know what I was doing.
I swear I've drawn better but I've also drawn worse. Way worse. You'll know it when you see it.
P.S. I like the Sad Employee in that one panel. Me and Martin call him "Sad Employee." That's his name.
To explain, around four years ago Wright as Rayne briefly began once with a different artist and a less developed plot. It didn't work out so well due to lack of planning, but now I'm happy to say we're ready - got twice as many pages already made as we did before and three chapters worth of scripts sitting.
Might as well introduce you to, due to the entire story being planned out well in advance, a habit Wright as Rayne will have that I hope readers enjoy - early appearances by people and events that'll be important later. In this case, just as a one-time hint, keep an eye on the guy in yellow and white (or just look at the cast page, I guess) and the AME letters on the criminal's shirt.
Not a lot to say other than that, but I hope you all enjoy.